The characteristics of the round sculpture are completely three-dimensional, and the audience can appreciate it from all directions. For example, the sculpture "Liu Hulan", from the front, is the image of the head, the jaws, the anger, the enemy, and the unyielding. On the side, the audience can only see the right hand and the left hand of the clenched fist, and express the anger of Liu Hulan through gestures, as well as the spirit of smashing the old world and sweeping away the enemy. The back is simpler, and you can only see the hair and clothing that are intertwined by the wind. In this way, the viewer can see the various sides of the sculpture from various angles, thus forming a sense of the overall image of the art. If it is a group image, the audience will take a circle around the sculpture, then you can see the different dynamics and thoughts of the characters before and after, which will lead to rich associations. For example, the "Calai Yimin" group created by Rodin has a total of six characters, each of whom bears the determination to sacrifice, but the posture of distinguishing from the loved ones and dedicating to the altar is different. On the front of the group image, you can only see the strong and heavy steps of the old man (that is, Oosta Shi), as well as the sagging of the old man, holding the lock key, and feeling deeply sad for the city to be humiliated; To the two brothers, they were all followed by the encouragement of Oostash; others, some raised their right arms, some of them opened in the air, their faces hesitated, confused, and imagined the ending they would encounter. Pain; some characters, the audience must go to the back of the sculpture to see. In short, you have to circle the sculpture to see the whole picture of the group and the mental state of each character. As far as the sculpture is concerned, it is not suitable for expressing natural scenes, but it can be used to indicate the environment in which the characters are located by meticulously depicting the characters. For example, the wind is expressed by the fluttering of the clothes, and the coldness is expressed dynamically, and the expressions and postures are expressed in front of the steelmaking furnace or in the rice fields. Rendering a large-scale mass scene is not its specialty, but it is its masterpiece to focus on the typical character of individuality. Numerous Roman avatars, Longmen Grottoes, Dongshan's embossed Luohan statues, a series of portraits of Rodin, and some peasant images of the Renting House are examples. The round sculpture is not suitable for showing too many props and cumbersome scenes, and requires only the refined items or parts thereof to explain the necessary plots to highlight the characters. For example, use the parts of the tank wreck to warm up the volunteer soldiers, and use the part of the cliff to set off the spirit of climbing the mountain. Since the means of representation of the round sculpture is extremely refined, it requires a high degree of generalization and conciseness. It must use a poetic language to infect the audience. Because of this, it is impossible to express it too complicated, too tortuous and too dramatic. Reflect the characteristics of the round sculpture. It often expresses profound themes in a strong, vivid and concise image with a symbolic and symbolic approach, giving an unforgettable aftertaste. For example, the "Goddess of Liberty" standing at the port of New York City in the United States and the former "Soviet and Collective Farm Women's Clan" at the top of the Soviet Pavilion at the Paris International Exposition. Since the round sculpture is a three-dimensional image of space, it can be viewed from all directions. This requires that its composition be scrutinized from various angles, paying special attention to the spatial changes of its physical structure (of course, there must be a main viewing surface). Although the round sculpture is still, it can express the movement process. It can use some suggestive technique to remind the viewer of the part that has passed, and the part that will happen. The ups and downs of the body are the main means of expression of the round sculpture, as the text is in literature and the color is in painting. According to the needs of the subject matter, the sculptor can boldly exaggerate, retreat, and combine the physical fluctuations without being restricted by the normal state. The ups and downs of the form are the broad stage for the sculptor to ride. In short, the round carvings require sophisticated and deep emphasis, emphasizing that "to be one to ten" and "to win less and more", not only to master the characteristics of the language of sculpture art, but also to dare to break through and boldly innovate.
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