The Chinese fashion industry has long been dominated by Western fashion discourse rights in a manner similar to hegemony. Most of the Chinese people and practitioners have long worshipped Western culture, religion, art, fashion, fashion, and brand, and regarded it as the supreme belief. Competing to compare who is more like God, who is his rumored disciple. BERNIEELEN, the pilgrimage to the pilgrimage to the West, with a deep vision, through the Western aesthetic obstacles, through the global vision, through the time and space of human civilization development, to find hidden behind the Western fashion discourse hegemony The truth. In the early days, BENIEELEN chose to refuse to cooperate with European and American fashions, and launched the Don Quixote challenge with his weak body and strong backbone to the fashion hegemony of Europe and America. Long-term use of art as a sword, clothing as a carrier, an anatomical disclosure of European and American fashion. BENIEELEN launched the "Baroque" theme series, revealing that some Western brands are arbitrarily dedicating to luxury. BENIEELEN launched the "Barbizon" and "Impressionist" theme series, which triggered the tide of oil painting printing in the entire fabric industry. Let art, a seemingly unattainable spiritual product, quickly spread to ordinary consumers. BENIEELEN launched the "Prehistoric Art" theme series, which unearthed the prehistoric art DNA of 35,000 years ago by human beings, thus revealing how arrogant and shallow is the "highest and long-lasting" of European and American fashion. BENIEELEN launched the theme of "Two Rivers Art", and carried out a series of creations on the ancestors of European and American civilizations - the two rivers civilization, so that consumers can deeply understand the wars against Iraq and Syria initiated by Western hegemony against art and civilization. How shameless and barbaric it seems to be. Reveal the incest and betrayal of their "self-styled aesthetic lords". BENIEELEN launched the theme of “Ancient Egypt†and developed a panoramic theme for the artistic achievements of ancient Egyptian civilization. BENIEELEN is launching the theme of "The Son of the Sun - Inca", showing how brilliant and prosperous the art created by this civilization has been through many series, but it has been cruelly destroyed by the Western colonialists with robbery barbarism and perfidy. This exposes the original original sin of the so-called Taoism in the West. BENIEELEN is about to launch the "Medieval Torch-Islamic Art" to popularize the tranquil beauty of Islamic art to the consumers, thus countering the Western media's smearing of its demonization, confirming that Engels pointed out: "Ancient humans passed down Europe. Joulet geometry and the Ptolemy solar system; the Arabs passed down the decimal system, the beginning of modern mathematics, modern figures and alchemy; the medieval Christian Europe did not leave anything, only the darkness." BENIEELEN chose a road to fight against European and American fashion hegemony, a road that has never been seen before. Many domestic "Muyang dogs" are regarded as pagans by BENIEELEN, or maliciously plagiarized, or maliciously slandered, or ridiculed and disdainful. Therefore, it is doomed to be lonely and alternative to BENIEELEN. When an internationally renowned brand shamelessly imitates the theme series of BENIEELEN, and the thief shouts to catch a thief, the ultimate BENIEELEN has a high price for the pirates with powerful exclusive patents and copyrights. Western brand robbers can not help but make people angry. When a senior designer from China plagiarized the design of BENIEELEN in the Shenzhen exhibition, he finally had to apologize. The shamelessness of the "Muyang Dogs" made us feel the difficulty of moving forward. After a luxury brand in the West, BENIEELEN has been designing the ancient Egyptian art for a year, and after the marketing package of the most popular, he has to sell the so-called art series that has been listed for less than two months in Nakajima. This kind of inferior performance that dances almost at the top of the pyramid. The first confrontation with Western brands, BENIEELEN realized that she is strong. When a western luxury brand is a toddler, it is also a step-by-step approach, imitating the performance of the prehistoric art theme designed by Bernies Berniesin two years ago. BENIEELEN has completed the transcendence of so-called big names from an artistic point of view. When a western luxury brand looked at BENIEELEN's anatomical disclosure of their art camouflage, faced with the uneasiness of a domestic business group, BENIEELEN knew that it had attacked the Western brand. When the domestic business groups continued to understand the true history of BENIEELEN's insistence on artistic theme creation, they took the initiative to deepen the integration with BENIEELEN, joining the camp against BENIEELEN, BENIEELLEN Nissin felt the gentleness of her partner. In the eyes of Chinese people, art is no different from heterogeneity. It belongs to only a few people in the circle. In fact, art was born before the birth of words, even before the formation of civilization. It existed at the beginning of human beings. When ancient times, humans did not use words to describe their spiritual feelings tens of thousands of years ago, they were already using paintings. Art forms such as ornaments, architecture, and earthenware are used to record and depict the beautiful artistic conception in the real environment. It can be seen that the perception of art and human beings are the creation and pursuit of good things by human beings; art is not restricted by knowledge, class, region, or race. As long as it is about beauty, it is human communication with each other. The oldest and most outdated tool for communication. BENIEELEN has been spreading the seeds of art all the time, only to discover that the original art is so easy to break the boundaries of knowledge, class, region and ethnicity, and inadvertently caused the resonance of countless people. As more and more customers wear BENIEELEN's art-themed costumes, they are from the heart of the old-fashioned "local tyrants" and "Muyang dog"-style aesthetic farewells, towards a life of tone, style and temperament. When you go in, it is the highest reward for BENIEELEN. Regardless of the past and the future, BERNIEELEN will insist on the sword of art, not only in the name of art, piercing the disguise of Western fashion discourse hegemony, but also building the barriers to exclusive patent and copyright protection for each theme product. Let the fictional value of the so-called Western brands disappear into its fictional hall. Maybe Bernien Bernisin has few people on the road, but she hopes that her footsteps will be like a dark night, which will awaken the sleeping people and let more people join the ranks against Western fashion discourse hegemony. To create a platform for a more fashionable fashion discourse for Chinese people and businesses. Let more kinds of artistic aesthetic tastes spread to the general public. Any difficulty is pressing our backbone, because we firmly believe that true art is connected to human DNA. Enter the Bonnies ERNIEELEN Brand Center
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